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The Hour of Our Death: The Classic History of Western Attitudes Toward Death over the Last One Thousand Years
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This remarkable book—the fruit of almost two decades of study—traces in compelling fashion the changes in Western attitudes toward death and dying from the earliest Christian times to the present day. A truly landmark study, The Hour of Our Death reveals a pattern of gradually developing evolutionary stages in our perceptions of life in relation to death, each stage representing a virtual redefinition of human nature.Starting at the very foundations of Western culture, the eminent historian Phillipe Ariès shows how, from Graeco-Roman times through the first ten centuries of the Common Era, death was too common to be frightening; each life was quietly subordinated to the community, which paid its respects and then moved on. Ariès identifies the first major shift in attitude with the turn of the eleventh century when a sense of individuality began to rise and with it, profound consequences: death no longer meant merely the weakening of community, but rather the destruction of self. Hence the growing fear of the afterlife, new conceptions of the Last Judgment, and the first attempts (by Masses and other rituals) to guarantee a better life in the next world. In the 1500s attention shifted from the demise of the self to that of the loved one (as family supplants community), and by the nineteenth century death comes to be viewed as simply a staging post toward reunion in the hereafter. Finally, Ariès shows why death has become such an unendurable truth in our own century—how it has been nearly banished from our daily lives—and points out what may be done to “re-tame” this secret terror.The richness of Ariès's source material and investigative work is breathtaking. While exploring everything from churches, religious rituals, and graveyards (with their often macabre headstones and monuments), to wills and testaments, love letters, literature, paintings, diaries, town plans, crime and sanitation reports, and grave robbing complaints, Aries ranges across Europe to Russia on the one hand and to England and America on the other. As he sorts out the tangled mysteries of our accumulated terrors and beliefs, we come to understand the history—indeed the pathology—of our intellectual and psychological tensions in the face of death.
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Product details
Paperback: 696 pages
Publisher: Vintage Books; 2 edition (July 22, 2008)
Language: English
ISBN-10: 0394751566
ISBN-13: 978-0394751566
Product Dimensions:
6.2 x 1.4 x 9.2 inches
Shipping Weight: 2.2 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#746,838 in Books (See Top 100 in Books)
A rare and exquisitely written and researched book on theculture of Death, and its evolution through art, architecture, literature, and faith through the ages.The subtlety of the gra estones and large-as-life stone effigies, as well as 500 year old perfectly preserved Monks with their skullcaps still placed on them is nothing less than stunning.
This book is huge.....didn't expect that. But if you want information, this book has it from many belief systems.
This is a second read of Aries' classic book. I find it absorbing and thorough in his writing and research, and a re-read is worthwhile.
Things to think about as we head into the future.
This a deep study of how death has been dealt with thru the centuries in Europe and to some degree in the United States. Is as methodical as you could possibly hope for in a book it also most feel like you're reading a manual more than a treaty, anyhow is a good read just not a engrossing read.
Was a required book for a paper that I wrote. I wish that the library had it, but they didn't. Some information that I already knew, but I just needed a citation.
I haven't had time to read it yet, but certainly will this summer. It is an added resource for my library.
This is a comprehensive survey of one thousand years (longer, really) of western attitudes towards death. By "western" were mostly talking "French", although Aries does include digressions into German, Italian, Spanish, English and American culture. I didn't find the intense focus on France to detract from the overall majesty of this 600+ page opus. For most of the thousand years, the "attitude towards death" that Aries is describing crosses national boundaires.Aries divides his study into four overlapping historical periods: "The Tame Death", "The Death of the Self", "The Death of the Other", and "The Invisible Death". The Tame Death roughly corresponds with the pre-Christian and early middle ages. This period was characterized by a meek acceptance of passing into a long period of sleep. Death is social, and the death ritual has a central place in the society."The Death of the Self" is moves more into the middle and late middle ages. Here, death is used by the mendicant orders of Christianity to convert a quasi-pagan population. Thus, there is a corresponding rise in individual's concern with their own death. Also during this period, there is a rise in materialism, which creates a duality between the love of things and the renunciation of the material world which is supposed to preceed death.The Death of the Other and the Invisible Death are familiar to most modern folks. The Invisible Death is corresponds with the post WWII American model, and the Death of the Other largely corresponds to the romantic movement (lots of weeping, lots of drama).Aries basic thesis delves into "the Invention of Tradition" territory, i.e. that modern attitudes towards death are just that, modern, and largely without antecedent in history. Aries also points out that pre-Christian traditions of death have persisted far longer in the west then one might suppose. His main illustration for this contention is the observations that the concept of "purgatory" was not fully accepted until well into the 17th and 18th century (purgatory being an exclusively Chrisitian concept).The research and execution can only be considered awe inspiring, but the thesis less so. Any modern reader of history is aware that "tradition" is invented. Aries is less concerned as to why this might be the case, but for me, the "why" is the interesting question.
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